Boundin’ (2003)

        The film features a SHEEP that lived in the American West whose elegant dancing is popular with the other animals. One day the sheep-shearers arrive and shear it for wool. Having lost his coat, the sheep becomes shy and loses the confidence to dance so elegantly. It is whilst in his bare state that a benevolent JACKALOPE comes across the little lamb and teaches him the merits of "bounding" rather than dancing (that is, getting up whenever you fall down).

        The sheep is converted and its joy in life is restored. The sheep's wool eventually grows back in the winter, only for it to be cut again, but his pride is now completely unshaken and he continues to "bound." It is also implied that the jackalope has helped other animals before the sheep.

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The Blue Umbrella (2013) 

          A city scene is brought to life by a rainstorm. Many objects along the street – signs, lights, awnings , mailboxes, buildings, drains, drain pipes, rain gutters, windows – appear to come to life and develop faces and expressions of their own, enjoying the shower. People pass on the street under their umbrellas, all of which are seemly black, except for a singular blue umbrella. As his owner stops at a street corner, the blue umbrella sees a pretty red umbrella next to him. The two exchange nervous glances, and soon become smitten with each other, but their owners' paths diverge.

           
          Seeing this, the objects along the street begin to work with each other to bring the owners together. As the blue umbrella is about to be taken into the subway, a sign allows the wind to blow the umbrella from his owner's hands. The umbrella is floating through the air toward his destination when a sudden gust of wind caused by a passing bus veers him off course and he lands in the street. With the umbrella in danger from the traffic, the objects attempt to protect him from oncoming cars: a construction sign lights up to redirect an oncoming vehicle, a gurgling drain pipe spews water to push him out of the way, another construction sign falls on him to fling him away from another car, and a drain blasts him into the air, but he is hit by a truck, visibly upsetting the objects that have tried to help him.
Battered and bruised, the umbrella is found by his owner who straightens him out just as the owner of the red umbrella approaches, reuniting the two of them. The objects of the city silently celebrate their reunion as the umbrellas' owners sit down together at a local cafe, allowing the two umbrellas to be together after all.

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Tin Toy (1988) 

          The film takes place in one room and stars the toy of the title, a mechanical one-man bad  named Tinny, and a baby named Billy. At first, Tinny is delighted at the prospect of being played with by Billy until he sees how destructive he can be. Fleeing from Billy, who starts to puruse him, and hiding beneath the couch, Tinny discovers dozens of other toys who are too terrified to come out as they went through the same experience, until poor Billy falls flat on the hardwood floor, and starts crying.

      
            Tinny feels ashamed of himself, and decides he has to help no matter what. His antics succeed in cheering Billy up, to the point where Billy picks him up and shakes him violently before throwing him away. Once the toy has recovered from this ordeal, he is annoyed to see that Billy has forgotten about him and is now playing with the cardboard box and bag that he came out of.
             Billy walks off with the bag on his head, wandering around the room with Tinny following while the credits roll. And at the end of the credits, as Billy and Tinny walk out the door of the room, few other toys come out of hiding to run across the floor and follow Tinny and Billy.

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Luxo Jr. (1986)

  Two balanced-arm desk lamps, named Luxo Jr. (small) and Luxo Sr. (large), are playing with a small inflatable rubber ball. When Luxo Jr. tries balancing on it, the ball eventually deflates due to excessive jumping. As a result, he is later seen playing with a beach ball.

            But for something that came so early in Pixar’s existence, it’s remarkable how entertaining the short still is. Credit Lasseter’s understanding of how to instill inanimate objects with recognizableand adorablee motions. With just a few small tilts of their “heads,” the relationship between “parent lamp” and “child lamp” here is completely clear.

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 Dug’s Special Mission (2009)

    

Hawaiian Vacation (2011) 

      Months after Toy Story 3, it is winter break for Bonnie, who is going on vacation to Hawaii with her family. The toys are excited to have a week of relaxation, but Barbie and Ken reveal themselves to have stowed away in Bonnie's backpack, hoping to join her in Hawaii. Bonnie leaves them in her room, however, much to Ken's horror and disappointment when he realizes they are not going to Hawaii. Barbie reveals to Woody that Ken planned to have their first kiss on a beach at sunset (based on a travel brochure), inspiring Woody, Buzz, and the rest of Bonnie's toys to go all out and recreate Hawaii for the two.  

       After various adventures in "Hawaii", Ken and Barbie share their first kiss in the snow at sunrise, recreating the scene from the brochure. However, the two step off the edge of the porch without realizing it and end up buried in snow; a post-credits scene shows the other toys trying to free them from a block of ice in which they are now frozen.

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La Luna (2011)

             A young boy, Bambino, goes on a midnight sailing trip with his father Papà and grandfather Nonno. After they anchor their boat in the middle of the sea, Nonno presents Bambino with a cap similar to the ones he and Papà wear. The two men disagree on how Bambino should wear it, with Papà pulling it low over his eyes and Nonno pushing it back on his head. Papà sets up a long ladder for Bambino to climb so he can set the boat's anchor on the full moon, and the three ascend to start their work of sweeping fallen stars off the lunar surface.

 

        Papà urges Bambino to use a pushbroom on the stars, while Nonno favors a besom broom. As they quarrel, a huge star crashes down on the moon; it is far too large for any of them to move by themselves. Turning his cap backwards, the way he wants to wear it, Bambino climbs onto the star and taps it with a hammer. It bursts apart into hundreds of smaller stars, and all three go to work sweeping them to one side, with Bambino choosing a rake instead of either man's broom. Once the job is done, they climb back down into their boat and look up at the moon, which now displays a glowing crescent phase thanks to their efforts.

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The Legend of Mor’du (2012)

            The short begins with the witch inviting a guest into her cottage. Her crow assumes the guest wants the bear spell, so she tells the story of a man who became the demon bear Mor'du. The man had been the eldest of four sons of a king in an ancient kingdom, each of whom had his own gift. Of the younger three, the youngest was wise, the third was compassionate, and second was just. The king's eldest was strong, yet he mistook strength for character. When the king died one autumn, rather than giving the eldest all the inheritance, he divided the rule among all of his sons equally, believing their gifts combined would make the kingdom even greater. However, feeling disgraced and filled with greed and arrogance, the eldest son refused to accept this, proving his point in front of his brothers by using one of his axes to break an image of himself off of a stone tablet that depicted himself and his brothers on it, shattering the bonds of their brotherhood. His words turned to war, changing the kingdom's fate forever.

         
               Even though the prince's army was powerful, the war remained a stalemate. In looking for a way to change his fate, the prince came across a menhir ring within the woods. From there, the will-o'-the-wisps guided him to the edge of a loch, and the witch's cottage far from the shore. Hoping to turn the tide of the war to his favor, the prince persuaded the witch to make a spell to give him the strength of ten men by offering her his signet ring, and she gave him the spell in a drinking horn, but warns him of making a choice: either to fulfill his dark wish or heal the family bonds he had broken. When the prince brought his brothers before him by staging up a false truce, to their protests he drank the spell, which immediately gave him the strength tenfold but to his surprise, in the form of a great black bear.

              While he could have broken the spell by choosing to "mend the bond torn by pride", the prince accepted his new form instead and brought his brothers down, along with their armies. He then tried to get his army to rule the kingdom, but they saw him as a wild creature and turned against him. Enraged, he attacked his former men, slaying a great many of them. The survivors fled the kingdom in terror, leading to its collapse. Doomed to this bestial form by his desire for power over the bonds of family, the prince's human consciousness and intelligence were, over time, consumed by animalistic bloodlust. Now known by the name Mor'du, he wandered the land aimlessly, a savage beast mentally and physically, killing and instilling terror wherever he roamed.
The witch ends the story here, and she offers the spell in the form of a cake to the guest, who turns out to be Wee Dingwall. He panics, says he only stopped by for water, and runs out of the cottage.

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 Party Central (2013) 

         Mike and Sulley are visiting Monsters University for the weekend to see how their Oozma Kappa fraternity brothers are doing. The group is throwing its first party, but no one has shown up. However, Mike and Sulley have a plan to liven up the house. Using a borrowed door station, they sneak into a party at the Roar Omega Roar fraternity and steal all of its food and guests to fill the Oozma Kappa house. The supply runs take them through the closet doors of a married couple's bedroom, repeatedly disturbing their sleep.

     Once they have the party fully stocked, Scott "Squishy" Squibbles' mother Sherri walks in on it while doing a load of laundry. She is angry with the fraternity, but only because they did not invite her. After lighting a bonfire on the lawn, Sherri introduces the crowd to "door jamming," or jumping from the roof with the help of two doors to land safely on the lawn. The guests congratulate the Oozma Kappas for throwing a great party, and many of them decide to pledge the fraternity..

          In a post credits scene , the husband and wife wake their son Timmy up and ask if they can sleep with him, saying that there are monsters in their closet. Their son vehemently replies, "That's what I've been trying to tell you!"

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 Jack-Jack Attack (2005) 

        This short film shows Rick Dicker, a government agent assigned to aid "supers" in maintaining their anonymity, interrogating Kari about what happened when she was babysitting.
  Late in the afternoon of the next day, with shadows lengthening and sunlight reddening, the house is a shambles and Kari is on the verge of madness, desperately struggling to stay awake. She appears to have mastered anticipating Jack-Jack's abilities, spraying him with a fire extinguisher  when he ignites and reflecting laser beams out of his eyes with a mirror. Kari has laid other items close to hand including a garden hose from the back yard, the fireplace tongs, oven mitts, a butterfly net, some rope attached to a grappling hook, and a chainsaw . Eventually, Syndrome comes to the door, asking if this is the Parrs' house. Kari thinks he is the new babysitter come to relieve her, but wonders what the "S" on his costume stands for. He claims it stands for "Sitter", because if he called himself "Babysitter", his uniform would have to say "BS".

        As Dicker is incredulous that Kari believed Syndrome, Kari shouts that the baby was exploding while she was not in a sound state of mind at the time. Dicker asks Kari if she told anyone else about the event, to which she replies that she did tell her parents, who didn't believe her and thought she was joking. As Kari expresses her wish to forget the whole event, Dicker promises that she will as he activates a device to erase her memory.

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Partly Cloudy (2009) 

       All day long, cheerful clouds in the sky make cute and cuddly babies, such as human boys and girls, kittens, puppies, and other creatures, and give them to storks  for delivery to the expectant parents. However, one lonely gray cloud named Gus has the task of creating animals that are not so cuddly. His delivery stork, Peck, gets the worst of it, being bitten by a crocodile , butted by a bighorn sheep, and pricked by a porcupine. When Peck sees that his next delivery is a baby shark, he grows more than a little fearful and flies away.

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 For the Birds (2000)

         A small bird lands on a telephone wire and makes itself comfortable, only to have a second small bird land next to it. The two birds quickly start to squabble as others land on the wire and join in. They are interrupted when a large, gangly, awkward-looking bird sitting on top of the pole honks to them. Soon, the small birds start mocking the large one by puffing up their feathers to resemble its plumage and imitating its honk. They then slide farther out along the wire and chatter suspiciously among themselves, ignoring the large bird's attempts to befriend them until it settles in the middle of all of them out on the wire. However, its weight causes the wire to sag almost to the ground and all the small birds slide down toward it.

          As the large bird keeps trying to make friends, the small ones get annoyed and try to push it off the wire, only for it to lose its balance and flop over to hang upside down by its feet. The two nearest the center start pecking at its toes, egged on by the rest of the crowd. One of the other birds suddenly panics, realizing how low the wire is and tries to stop the pecking. The others understand and stop too late; when the large bird's last toe slides off, the wire snaps upward and flings all the small birds out of sight. The large one is so close to the ground that it settles down easily, accompanied by a shower of feathers from the small birds.

              One of them falls to the ground, having lost all its feathers and the large bird laughs and offers it a leaf to cover itself. The others soon tumble down as well and hide behind the large bird as it laughs even harder. A white splatter with the words, "the end" on it against a black screen, similar to the mess caused by bird droppings, marks the end of the film.

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Geri’s Game (1997)

             The film is set in an empty park during autumn. The title character, Geri (voiced bybob peterson ), is an elderly man who plays a game of chess against himself, "becoming" each of the players in turn by moving to the other side of the chessboard , where he changes his personality and either puts on or takes off his glasses to show this change. As the game progresses, it seems as though there are two people playing; at one point, the hands of both "opponents" are in frame. The aggressive Black Geri (without the glasses) soon gains the upper hand over the more docile White Geri (with them), capturing every piece except his king and putting him in check .. 

  
             However, White Geri outsmarts Black Geri by faking a heart attack to distract him and spinning the board around. While Black Geri is still distracted, White Geri checkmates what is now his opponent's king. Finding that now he is the one with only his king left and discovering what has happened, Black Geri resigns the game and hands over a set of dentures as the prize. White Geri puts them in, then chuckles and grins in his victory, before the camera pulls back to reveal that he is alone at the chessboard.

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Riley’s First Date? (2015)

           Riley, now 12, is relaxing with her parents at home when a school friend of hers named Jordan shows up to take her out skating. Riley's parents suspect their daughter is going out on a date, and their emotions react badly. While Riley's mother goes upstairs to ask her, her father stays downstairs with Jordan, who is laying back at the table.

       Both the parents' emotions don't agree with what's afoot, especially the father's. They give Jordan the silent treatment but he doesn't react. They next try intimidation but only get a slight chuckle from Jordan. Father's Anger tells his fellow emotions to increase the pressure and ask what Jordan likes to do for fun. When Jordan says he doesn't know, Father's emotions prepare to give him the boot until he mentions that he plays in a band, bringing back his own memories of when he was a guitarist in a band.

            Meanwhile, Riley's mother tries to ask her if Jordan is taking her out on a date, but all this does is make Riley and her emotions feel embarrassed, especially when she uses pop words and ebonics.  Suddenly, loud rock music booms from the house, and when Riley goes downstairs she finds her father and Jordan playing air guitar to AC/DC's "BAC IN BLACK", much to her shock. Later, Riley and Jordan leave for the skate park, leaving her parents satisfied that Jordan is a good kid before sharing a kiss.

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Tokyo Mater (2008) 

     Mater tells a story to Lightning McQueen about how he used to be a drift king. He is hired as a tow truck driver as he states he'll tow any car anywhere. The tow ends up being to Tokyo, japam. and Mater tows the car there all away across the Pacific Ocean. 

         While there, he is challenged to a drift race to crown the drift king, with the loser losing all custom modifications and becoming a "stock" car. Mater accepts, and is fitted with custom modifications of his own. As Mater is losing the race, Lightning Dragon McQueen shows up to help Mater fend off an attack by ninjas, allowing Mater to win the race

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Partysaurus Rex (2012)

            Rex disrupts the other toys blowing soap bubbles, worried they may ruin Bonnie's house. He is chastised by the other toys, with Mr. Potato Head calling him "Partypooper Rex". The other toys sense Bonnie approaching, and scatter, leaving Rex alone when she enters. She takes him to play with while she takes a bath. Rex enjoys being played with along with the other bath toys, but soon Bonnie's mom comes to turn off the bath and take her out. Once alone, the bath toys wish they could continue to have fun, but all of them lack arms and can only function if afloat in the water. Rex initially thinks drawing a new bath is a bad idea, but recalling Mr. Potato Head's insult, he asserts that he is "Partysaurus Rex", and helps the bath toys to start a new bath.

          The toys quickly start to sing and dance in a rave-like fashion, aided by a carefree Rex throwing a bubble bath solution into the tub, and blocking the overflow drain with a sponge. However, he suddenly realizes that if the tub overflows, it will leak out into the hall; the bath toys care little if this happens and continue to party. He tries to turn off the water, but only causes the handle to fall off, and the drain stays plugged when he tries to pull it out. Finally, he spots the knob on the faucet that stops the flow from the faucet, but realizes too late that this only diverts the water to the shower head. The tub starts to overflow, and the other bath toys are oblivious to the problem. Outside the bathroom, Woody, Buzz, and some of the other toys arrive to check on Rex when the bathroom door suddenly bursts open and a flood of water pours out.

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Mater and the Ghostlight (2006)

         
         The short film opens with Mater playing pranks  on the other residents of Radiator Springs . This sequence culminates with Mater teasing Lightning as if he had seen "the ghostlight," a Route 66 legend recounted to PIXAR by Dean Walker of the Kansas Historic Route 66 Associatoin
Sheriff admonishes him for mocking the Urban Legend , and then tells the tale of the Ghostlight. The rest of the gang say goodnight and turn off all the store lights, leaving a nervous and scared Mater all alone in the dark.

          
               During the body of the short, mayhem ensues as Mater is pursued by the Ghostlight...ultimately revealed to be just a lantern affixed to Mater's towing cable by Lightning and GUIDO.  The other residents of Radiator Springs watch as Mater drives around frantically with the "Ghostlight" on his tail, before Mater tires himself out and the cars tell him it was all a prank to pay him back for all his pranks he played on them. Sheriff gently tells Mater that the only thing to be scared of on Route 66 is "his imagination." Doc  then jokes that all Mater really had to fear was "The Screaming Banshee" before they all leave Mater, all alone and frightened once again.
In a post-credit scene, Mater actually sees The Screaming Banshee but, not realizing it's him, warns him of the Banshee and leaves the monster truck confused.

 

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Read's dream  (1987)

           
The clown enters the ring, accompanied by a  fanfare, expecting a huge applause, but instead receives only a few scattered claps from different parts of the (unseen) audience. Nevertheless, Lumpy starts juggling  three balls whilst riding Red, occasionally dropping them as he does.

   

            However, Red slides out from underneath Lumpy (while the clown stays afloat) and spikes the balls back to him with his bike pedals. The confused clown ponders this for only a second before continuing on with his act. At this point, Red is forced to catch another ball which Lumpy unintentionally throws across the ring. Lumpy continues to ride in the air while juggling the other two balls while Red bounces the green ball up and down.
Eventually, Lumpy comes to a sudden realization, and looks between his legs, only to discover he's been riding on nothing before he falls to the ground (and seemingly disappears from the dream). Red catches the other two balls and begins juggling all three of them, and then balances them on top of each other, after which he receives an uproarous applause. But then the sound of clapping turns into the sound of rain, and Red awakens, left to face bleak reality. Depressed, he returns to the corner where he was previously resting, and goes back to sleep.

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        Hoo-boy. I’ll say this for what may be Pixar’s most widely loathed short: It looks gorgeous. The design and animation of two lonely volcanic islands (not to mention their surrounding clouds and sea life) is as vividly rendered as anything the studio’s ever done, with subtle pastel shading and complex textures.

            Pixar goes to the “inanimate object needs a friend” well quite often, which may be part of why Lava feels so trifling. Or maybe a grating musical about lovesick rocks can never be anything but a groaner. 
          Inspired by the isolated beauty of tropical islands and the explosive allure of ocean volcanoes, "Lava" is a musical love story that takes place over millions of years.

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